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- Selected Works
- Blind Ned 2026
- That which remains 2026
- Colonial Modern 2025
- Anonymous Entries 2024
- Morton NP 2020
- Accident & Process 2012 – 2015
- Antidote 2017
- Façade 2008
- Littoral 2014
- Appropriated Circumstance 2012
- Big Wave Hunting 2011
- Daddy’s Watching 2009
- Adaption 2011
- Archaeology 2010
- Wombat 2002
- Photographs from China 1997
- Flash in the Pan 2006
- Antidote 2005
- WG Coda (HCJ) 2005
- White Goods 2004
- Holey 2003
- Separation(s) 2009 –
- Untitled (Moment) 2002, diptych
- Two Sticks 2002
- The Looking and Other Outcomes (after Yagan) 1999
- Slow By Nature 1998
- Sit.com 1997
- Blind Ned 1996
- Bunny Noir 1995
- Dali 1993
- Yurabirong 1994
- boo! 1992-1995
- White Pointer 1992-1999
- Comfort Chair 1995
- Fountain 1992
- Decoy 1992
- Rumours 1990
- Off-Cuts 1990
- Fill 1990
- How to discipline a tree 1989
- Interruption 1989
- Telling 1986
- Last Stand Standing Still 1986
- Told by an Idiot 1984-1988
- Stolen Time 1986
- Did You Hear What He Said? 1985
- Untitled Performance 2 1984
- Radioing, Sometimes Myth 1983
- Drawing with overcoat 1983
- Empty Room 1983
- New Rules 1983
- Screaming Box 1983
- Twelve Dozen Daisies 1983
- Mer 1983
- Salesman 1979
- Manipulated photographs 1978-79
- Free Movies 1978
- Wet Dream 1978
- Bicycle Race 1978
- Performance Experiments 1977 – 1979
- Bowden Series 1977
- Flinders Ranges 1977
Sit.com 1997
Performer: Chris Ryan, louche barman.
Performers and co-creators:
Regina Heilmann Brigid Kitchin Jai McHenry Rolando Ramos Chris Ryan
(season one collaborator, Meme Thorne)
Publication
“Witty and caustic, this is a sardonic cautionary tale from the virtual glitter of cybercity as four friends engage in an evening of “fun” at a bar and at the flat of a recently arrived Chilean migrant… a vision of a future world where lives of quiet despair are lived out to the flash of cathode rays and the crackle of computer chips.” Paul McGillick, Financial Review, 9 December 1994
Preview: Colin Hood, RealTime 4, December- January 1994- 95
Review: Doug Anderson, Sydney Morning Herald, 5 December 1994
Review: Eliane Morel, Theatre Australasia, February 1995
Review: John McCallum, The Australian, 9 December 1994
Review: Pamela Payne, Sun Herald, 4 December 1994
Review: Paul McGillick, Financial Review, 9 December 1994
Review: Stewart Hawkins, Daily Telegraph-Mirror, 2 December 1994