Holey 2003

National Gallery of Victoria, Holey 1, Holey 2 & Holey 3, 2003, C-Type digital photographs, aluminium spheres, cast vinyl

“The first thing to say about Derek Kreckler’s Holey 1 is that it feels like an altar piece. The plinth at the foot of the two photographs gives the impression of a Communion table while the spheres rolled out onto its surface seem like offerings. There is something placatory, elegiac about the relationship between the “planets” lodged on the white floor plinth and the holes that the artist has cut into the photographs above.” Read the full essay at the link below (Parr, M. Holysmoke, Art and Australia, p. 204, Vol 42 No 2 Summer 2004)

 

Note: There are two types of plinths for the Holey works: small metal discs with a laser-cut top surface matching the diameter of the individual spheres slide 2, and wooden plinths as shown in the other images.