Derek Kreckler is a multidisciplinary artist whose work spans performance, sound, photography, sculpture and installation.

Key works include: Bicycle Race (1978), Telling (1986), How to Discipline a Tree (1989), Fill (1990), White Pointer – You are listening to humans observing fish at the New York aquarium (1992), Blind Ned (1996), Sit.Com (1997), The Looking and Other Outcomes (1999), Holey (2003), White Goods (2004), Antidote (2005), Big Wave Hunting (2011), Appropriated Circumstance (2012), Littoral (2014), Colonial Modern (2025).

Derek Kreckler studied Visual Arts at the South Australian School of Art (1977-1980). In 1989, he graduated with a Master of Visual Arts from the Sydney College of the Arts and was awarded the Sydney College of the Arts Postgraduate Award. In 1990, Derek received an Australia Council Fellowship Residency to attend a PS1 in New York (1991-1992). In 2012, he received a Doctor of Creative Arts from Wollongong University.

His role as an educator included various sessional experiences at Sydney College of the Arts, the University of Sydney, and the College of Fine Arts at the University of New South Wales between 1984 and 1990. On returning from New York, Derek developed and taught the Sound Design course at the Western Australian Academy of Performing Arts from 1995 until 2006. In 2006, he joined the Creative Arts Faculty at the University of Wollongong, where he taught as Associate Professor of Visual Arts until 2021.

 His work is held in public collections, including the Wollongong Art Gallery, Maitland Art Gallery, the Art Gallery of Western Australia, the Murdoch University Collection in Perth, Western Australia, the Art Gallery of South Australia, the Museum of Contemporary Art in Barcelona, and the Pushkin Museum in Moscow. His practice is known for its conceptual depth and media experimentation.