Blind Ned 2026
link to an earlier versions of this work
“Many a slip… is another version of a museum photograph. Another painting by von Guérard, Cabbage Trees near the Shoalhaven River (1860), is located directly behind the model, along with other idyllic landscapes (one of them barely indicated at the far left edge of the image, and represented by its label, which is to say, reduced to another form of information). ‘Accident & Process’ presents us with three kinds of photographs of accidents: the digitally-generated fake one in Many a slip…; the ‘real’ (analogue, indexical) photograph of a faked scenario in Document one (tree); and the
(presumably) real photograph of a real if confounding accident in Document two (car). By now these all seem equally unstable. So there might be a temptation to say that the real emergency, the event that counts, is to be located in relation to the historical painting —nothing less than a history of the colonial degradation of the landscape and Indigenous people (a history in which von Guérard’s paintings and their like have typically been implicated) — but ‘Appropriated Circumstance’ has already demonstrated that the painting’s status is also mutable. As was the case in Kreckler’s early investigations of performance, the spectator of ‘Accident & Process’ is denied a comfortable line of sight:, it’s all glitch, no system. The work of Many a slip…, in the end, is to foreground the epistemological emergency that is the contemporary condition of photography.”
Frazer Ward, Working For You from ‘Accident&Process’ 2015, ed Talia Linz and Hannah Mathews, Perimeter Editions, Melbourne 2015
Interruption 1989
Performance for Attitude Film & Video Event, curated by Susan Charlton for the Sydney Super 8 Film Group, Art Gallery of New South Wales, and for Double Act as part of the 4th Australian Video Festival.
All photographs: Heidrun Lohr
Yurabirong – the people of this place, is a sound work for radio commissioned by the Australian Broadcasting Commission (ABC), Classic FM’s program, The Listening Room in 1994.
Yurabirong, meaning ‘the people of this place’, evokes a sonic picture of Sydney through recordings and re-enactments drawn from the ABC archives. Examples include: the opening of the Sydney Harbour Bridge (1932), re-enactments of the arrival of Captain James Cook and Captain Arthur Phillip respectively (1938), the Rocks Green Ban (circa 1971), the launching of Alan Bond’s Endeavour (1993), and so on.
These archival recordings are mixed with field recordings in and around Sydney in 1994: trains, birds, thunder, New Years Eve in the Rocks, Sydney harbour water sounds, the street sounds of downtown Sydney, etc. These audio memories are used as a counterpoint to recordings of contemporary indigenous Australians learning to pronounce words from the lexicon of pre-colonial Sydney as evidenced in research of Ngarigu woman, Dr Jakelin Troy, in her book, The Sydney language (1994)[1]
A starting point for Yurabirong was the city of Sydney and its surrounds. I had questions about the peoples of the place and the landscape prior to English colonization. Artist and curator Brenda L Croft was able to provide me with a photocopy of (sections of) Troy’s then unpublished manuscript. This information became a cornerstone of the project and a way to move the composition process forward.
The work concludes with actor Bradley Byquar, naming each headland and island in Sydney Harbour using words from The Sydney Language, as if moving east to west from the heads to the mouth of the Parramatta River.
Yurabirong – the people of this place (1994) was broadcast four times between 1994[2] and 1998, but notably on, 26 May 1997, by the ABC to mark the occasion of the National Reconciliation Convention on the 27th May 1997
Listen to a shortened, low-resolution version of Yurabirong – the people of this place, 9’41” (the actual duration is 25 minutes).
[1] Troy, J 1994, The Sydney language, Flynn, J.Troy ACT
[2] Excerpt played at the Museum of Contemporary Art Sydney exhibition: Sound In Space: Adventures in Australian Sound Art (1995)